Tropical Storm Ernesto Delivers: Just What The Surfers Ordered!
Tropical Depression
Ernesto left
the Florida
mainland Wednesday,
and like a pent
up post pubescent teenager, quickly regained
its stamina over
the warm
Atlantic waters. Ernesto was officially declared Tropical
Storm Ernesto around
11 oclock
that night.
About
the same time, the beaches east
of Jacksonville experienced the
first band of Ernesto, rapidly
moving cumulus clouds accompanied by thunderous booms and bright flashes, winds around 25 mph and brief but torrential downpours. The bands continued racing onshore intermittently throughout the night and by morning it was over. Or was it?
The eye of Tropical Storm Ernesto had actually
passed well offshore of North Florida, continuously gathering strength and churning up the waters
as it made its way
to landfall
in the Carolinas.
Weather wise, the
storm was
no big deal in the North Florida beaches area, and most people slept through it with little
incident. But there were those who retired that evening with tense
anticipation of what was
to come the next day. As Ernesto passed offshore and north east winds turned
to south west winds, a phenomenon typical of cyclonic storms occurred in the area.
As the waves generated by a passing storm pound the
shore with the fierce power of a nor'easter, they can
at times be huge, but are generally sloppy, poorly formed mush. These waves, backed by the winds from the east, can last as long as the storm is out there churning up the waters.
If the storm is paralleling the coast, and is close enough that it is effecting our
wind direction, once it passes and is
to the north, the winds will shift,
coming out of the west.
Those big ole waves that were once pounding our beach are now standing up proud, spitting back foam from
their tips with the blusterous wind hollowing out the face, preventing the wave to break until it can no longer hold back, finally curling down in a thunderous crash of white foamy water peeling the wave left and right.
The chop is gone, and the
surrounding water is as smooth as a baby's butt. The water can look as calm as a lake, only to be up heaved by sets of incoming swells standing at attention until finally bursting at the seams at the last possible moment.
From a surfers standpoint,
this is as good as it
gets in North
East Florida, but you better be there on time, because it only
lasts a few tide cycles.
And
thats the
downside. This west wind is so good at cleaning up the
surf, that over time it totally knocks the waves down, and they keep getting as long as the west wind lasts. In an absence of anything creating waves in the
Atlantic, the surf can diminish to less than 6 inches. Not an uncommon occurrence in Jax Beach or the entire east coast for that matter.
Due to the geography of the
coastline in north Florida, we seldom get a direct hit from hurricanes or tropical storms. This is
not to say that we wont, and if we do, it will no
doubt be disastrous. We do however get a lot of storms passing by, and some
very close calls. Floyd is one that comes into mind that skirted our coast on its way to wreak devastation further north. The surfing community here has come to know what to look for, and with an excellent
bottom that is in place at the Jacksonville Beach Pier, they also know where to go.
Tropical Storm Ernesto was small by any comparison and did not spend a lot of time
off our
shore generating waves. But every surfer knows that when the right circumstances
converge, and all the conditions are met, there is a real potential for some very fun, if not huge surfing opportunities. In this case, this little tropical storm called Ernesto delivered!
A native of Jacksonville Florida, Michael Talbert lives, works, and
plays in Jacksonville Beach. To find out more about the Jax Beach community, visit the unofficial guide to Jacksonville Beach at
http://JaxBeach-Pier.com .
Dog Chewing: 4 Essential Steps to Stop the Destruction
Humans
play solitaire to keep themselves occupied when theyre alone.
Dogs chew. Its what they do. Actually,
chewing is much more important to dogs than solitaire is to humans. Dogs need to
chew on things to maintain healthy teeth
and gums and good jaw strength. Solitaire
will do nothing for
your dental hygiene.
Puppies need to chew even more when they are teething (in fact, there are special chew toys that can
be dampened and frozen to provide relief for painful gums during this process). So chewing isnt
a problem
in itself, but destructive chewing is. Dogs need to learn what they can and cannot chew on, and they are quite capable
of doing so when properly taught. Here are four steps every
dog owner
should take to encourage constructive chewing.
1. Prevent. As always the
best cure, but
dog owners
should always
dog proof their home, especially with puppies. They can be very creative with what they
chew. Anything not removable that has been
or is likely to be targeted can be sprayed with
a deterrent,
such as Bitter Apple.
2. Interrupt. Whenever you are there with your dog, it is important that you actively teach
them commands for leave it or drop. These are given whenever you see them taking something into their jaws that
should not be
in there. You may have to orchestrate this training process by adding some
of the items that you removed in step 1. But thats what training is all about - setting up safe scenarios in
which you can help them differentiate between
appropriate and inappropriate behavior. These commands will also work well when you are
out with your dog and they want to pick up something dangerous or just foul.
3.
Redirect. Heres
where you start teaching your friend which toys belong to them, to chew to pieces if they
like (and they will). Immediately after removing the inappropriate item
from their clutches, replace it with an appropriate toy. It will take some time to really zero in on a
few of your dogs most favorite things. But as you try lots of different toys to encourage constructive chewing, keep in mind that the best ones are those designed to promote healthy teeth and gums such as dental chew ropes. Also, try to find what are called active toys, which give your dog something to do for an extended period of time. For example, Kong balls and rubber toys can be stuffed with food, such as peanut butter or whatever they go for. Often dogs are inactive when they are alone because theyre missing you.
5. Praise. The final step is simple but not one to forget.
The good news is that most dogs will grow out of this phase somewhat at the same time as they figure out whats
chewable and whats
not. If your dogs chewing problem continues, however, it is likely to be an expression of nervous
energy (the same goes for excessive licking, of themselves and others). The number one
cause of nervous energy for dogs is lack of exercise.
A brisk 15-minute walk is simply not enough for many dogs, barely a warm-up for a Border Collie, and it is important to understand that exercise is different
from a play session or
outing to the park.
The mistake that a lot of dog owners make, which is an unfortunate function of their busy schedules, is that they pack in two high
intensity (15-20 minute) fetch sessions at the beginning and end of the day. True, this is much better than nothing, but the fact that the dog goes more or less from sleeping to sprinting, then from lying around all day to sprinting again, can cause
extra wear and tear on the joints and possibly early arthritis. Like humans, a dog benefits from a
decent warm-up and warm-down, and busy owners should do their best to sneak in some longer, less intense exercise sessions.
All the best with it, and dont chew out your dog in the meantime.
Martin Olliver is a proud member of the
Kingdom of Pets team (
http://www.kingdomofpets.com). For more great articles on chewing and other dog habits, visit:
http://kingdomofpets.com/dogobediencetraining/articles/dog_training_solutions.php.
Show Me the Money: How to Own Your Book's Financial Success
How much money
would you like to earn
from your book, I ask my client.
From her facial
reaction, I know that
the question resonates as if I am asking how much her child
is worth. It
is challenging
to most writers
to think
in terms of dollars
and cents.
Thats why I ask.
The romantic myth that money somehow sullies the creative process is,
in reality,
a bigger obstacle to your publication goals than not having
an agent. Its not that your goal has to
be to get rich from your book, although that is a perfectly fine goal to have. Its that understanding the ebb
and flow of money in your publishing life creates a positive perception about
you as
an author prospect. When
you have defined
expectations, you project
confidence, commitment and focus.
To clarify your financial focus, I
offer three questions to help you
center on where you
are today, and three questions to help you
establish your financial goals.
1. What is your motivation
for writing the book? How will the book serve your
career and/or life purpose?
2. How do you promote your image now? Do you do workshops or publish articles?
3. What are your long-term career goals as a writer? Currently, is writing a
hobby or a business? Do you report your
income and/or expenses on your income tax?
Here are three questions to help you establish your financial goals.
1. Identify two books that are similar to yours in your publishing
category. What is the LIST (cover) price of each one? Assume it is a
hard cover book and that you would receive a
10% list royalty from the publisher (for paperback, assume a 7.5%
royalty). Then, calculate how much you would earn if the book sold 5,000 copies,
7,500 copies, and
so on.
2. Using the amount you would
like to earn as a guide, how much of that money would you like to retain as income and how much are you willing to invest in publicity or direct selling, independent of what the publisher plans to do for your book?
3. Given what you plan to invest in the marketing and promotional effort and in the time you will invest in writing the book, what is the ideal advance amount you would like to negotiate with the publisher?
Every editor comes to the contract negotiation with numbers in mind. He or she has made a decision about the market value of your work. If you do the same, you are in the position to have thorough discussion about mutual expectations. Make a list of the items that are most important to
you. Finally, make a financial calendar that will help you visualize when you will be incurring expenses versus when you anticipate receiving your advance payments or income from other sources.
Whether you are an author with a commercial publisher or you are self-publishing, you have the power to make your project a financial success on your terms.
Believe in yourself, your talent and your ability to value your work. Now, go forth and prosper.
C 2006
Melissa A Rosati
Melissa A Rosati is a publishing coach, a contributing editor,
Novel Writer
magazine and a
professor of publishing, Pace University, NYC.